ARTICLE
26 June 2025

Navigating Copyright Across Borders: How U.S. Registration Strengthens Global Protection

DW
Dickinson Wright PLLC

Contributor

Dickinson Wright is a general practice business law firm with more than 475 attorneys among more than 40 practice areas and 16 industry groups. With 19 offices across the U.S. and in Toronto, we offer clients exceptional quality and client service, value for fees, industry expertise and business acumen.
In an increasingly interconnected world, authors and rights holders must understand how their copyrights are treated beyond U.S. borders.
Worldwide Intellectual Property

In an increasingly interconnected world, authors and rights holders must understand how their copyrights are treated beyond U.S. borders. Despite the global nature of creative content distribution, international copyright law remains fundamentally territorial, leading to uncertainty over how far U.S. copyright protections extend. While not mandatory, registering a work with the U.S. Copyright Office (USCO) offers significant advantages, both domestically and in foreign enforcement scenarios.

Strengthening Your Position: Benefits of U.S. Copyright Registration

Registration with the USCO is essential for accessing the full range of legal remedies available under U.S. law. A valid registration is a prerequisite for filing an infringement suit in federal court, recovering statutory damages and attorney's fees, and initiating proceedings before the Copyright Claims Board.

Additionally, registration enables rights holders to record their copyrights with U.S. Customs and Border Patrol (CBP), which can monitor and seize infringing copies or pirated goods at the border. Critically, copyright registration also serves as prima facie evidence of ownership and validity, which are key factors in establishing rights in foreign courts.

International Frameworks: National Laws Govern Local Enforcement

Universal copyright law does not exist. Instead, international copyright protection is governed by a series of multilateral treaties, the most prominent being the Berne Convention for the Protection of Literary and Artistic Works. The Berne Convention requires its 180+ member countries to extend the same protection to foreign works that they afford to domestic creations under the principle of "National Treatment."

The National Treatment principle dictates that a work's copyright is governed by the laws of the country where protection is sought. For example, if a U.S. work, such as a magazine article, is infringed upon in Australia, the infringement claim will be governed by Australian copyright law, not U.S. law. Although U.S. copyright registration is not required for protection in Australia (as the Berne Convention prohibits formalities for works from other member countries), it can serve as proof of ownership. Therefore, any lawsuit related to this infringement must be filed in Australian courts and will be subject to Australian copyright law.

U.S. copyright holders are not required to register their works in other Berne member states to secure protection. However, registration in the U.S. can aid legal proceedings abroad, including ownership disputes, licensing transactions, and rights transfers.

A Patchwork of Protection: Variances in Foreign Copyright Law

While international treaties provide a minimum standard of protection, individual countries may differ significantly in their interpretation and enforcement of these rights. Notably, some doctrines familiar to U.S. authors, such as "fair use," are not recognized in many jurisdictions.

For example, Japan, a member of the Berne Convention and a close U.S. ally, does not recognize a general fair use doctrine. Instead, Japan permits only limited exceptions of use, such as for news reporting, criticism, or academic research. A U.S.-based parody protected under fair use in the U.S. might face legal challenges in Japan if published or distributed there. This difference highlights the importance of understanding local copyright rules before engaging in cross-border activities.

Key Takeaways for Copyright Holders

  1. Register your work with the USCO.

    U.S. registration provides access to statutory damages, attorney's fees, and alternative dispute resolution mechanisms. It also creates a public record of ownership. Consulting with legal counsel can help avoid errors during a copyright filing, especially if the copyright owner plans to license, assign, reproduce, or create derivative works from the copyrighted material.
  2. Leverage CBP to Combat Piracy at the Border

    After registration, copyright owners can record their copyrights with CBP to enable enforcement against pirated or infringing goods. Collaborate with an IP professional to train CBP on authenticating the work for optimal results.
  3. Use Registration as Evidence of Ownership Abroad.

    A U.S. registration serves as strong evidence of authorship, even when foreign courts apply their own laws.
  4. Understand Local Law Before Taking Action Abroad.

    Foreign copyright law governs enforcement in that country. Always consult local counsel before selling, performing, or initiating legal action overseas.
  5. Monitor Legal Changes in Key Markets.

    Stay informed about significant differences between U.S. and foreign copyright laws, especially where your activities might inadvertently constitute infringement.

While copyright protection is recognized internationally, its enforcement is highly localized. Treaties provide a valuable framework, but individual nations define the scope of rights and remedies. For authors and rights holders entering global markets, U.S. copyright registration is a powerful tool that offers legal leverage, procedural benefits, and enhanced protection abroad.

Special thanks to Summer Associate Leah B. Pierre-Louis for contributing to this article.

The content of this article is intended to provide a general guide to the subject matter. Specialist advice should be sought about your specific circumstances.

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