ARTICLE
19 October 2017

Film Review: "Breathe"

BD
Brahams Dutt Badrick French LLP

Contributor

Brahams Dutt Badrick French LLP logo
BDBF is a leading firm of specialist employment lawyers based in the City of London. Collectively, our reputed lawyers possess decades of real-world experience in resolving the toughest workplace disputes at the most senior level. We represent:
  • Senior executive employees
  • Partners
  • Small business owners
  • Limited liability partnerships
Contact +44(0)203 0350 or info@bdbf.co.uk for how we can help you.
Last week I attended the Opening Gala for the BFI London Film Festival 2017. It was the European Premiere for ‘Breathe'; Andy Serkis' directorial debut.
United Kingdom Media, Telecoms, IT, Entertainment

Authored by Burhan Pazar

Last week I attended the Opening Gala for the BFI London Film Festival 2017. It was the European Premiere for 'Breathe'; Andy Serkis' directorial debut.

Breathe is an autobiographical drama about Robin Cavendish, played by Andrew Garfield. The real-life Cavendish suffered from Polio in the 1950's and because of this was paralysed from the neck down. Refusing to be limited by his disability, he became a disabled rights campaigner and a pioneer of a wheelchair with an in-built respirator allowing him to escape the confines of his bed. As well as examining that story, the film delves into Cavendish's relationship with his remarkable wife Diana, who was played by Claire Foy. It was nice that Diana herself attended the premiere as it added to the realisation that it was a true story.

In terms of the film itself, it was a mixed bag. Was the story heart-warming? Yes, certainly. Was it a good film? Unfortunately not. Firstly, the key to effective storytelling on film is character development – that is to say, how much a character needs to adapt and change over the course of the film based on the challenges at hand. This film lacked that; the treatment of Diana and Robin's marriage felt rushed and after the midway point the characters' development stalled. Secondly, a story this touching should have had more heart to it on-screen. If you compare it to The Theory of Everything, which followed a very similar story arc, it just didn't feel as emotionally compelling as it could have.

In conclusion, the acting was great, but the screenwriting did not do the story justice.

Rating 2/5

The content of this article is intended to provide a general guide to the subject matter. Specialist advice should be sought about your specific circumstances.

Mondaq uses cookies on this website. By using our website you agree to our use of cookies as set out in our Privacy Policy.

Learn More