Entertainment Law, Media Law and Telecoms Law

When outdoor apparel giant Patagonia sued drag queen and climate activist Pattie Gonia over trademark infringement, the case ignited a firestorm of public backlash that transcended legal boundaries. This dispute examines how trademark enforcement collides with cultural expression in the drag community, where performers traditionally adopt playful names referencing established brands, and explores the delicate balance between protecting intellectual property rights and maintaining brand reputation

Generative AI is reshaping the entertainment industry, raising critical questions about copyright ownership of AI-generated works, the legality of training models on copyrighted materials, and whether existing laws adequately protect artists. This analysis examines landmark cases like Thaler v. Perlmutter, explores the fair use debate surrounding AI training datasets, and reviews emerging state and federal legislation designed to safeguard creative rights in an AI-driven landscape.

The Protect College Sports Act is advancing through the US Senate, but critical questions remain unresolved that could fundamentally reshape college athletics. While the legislation addresses conference realignment and antitrust concerns, it leaves three pivotal issues undecided: whether student-athletes should be classified as employees, how Title IX applies to revenue-sharing payments, and whether international athletes on F-1 visas can legally receive such payments.

From digital sampling battles to AI-generated music, copyright law has consistently arrived late to technological disruption in the music industry. This examination traces landmark litigation across sampling, streaming, and artificial intelligence, revealing how rights holders have repeatedly shaped legal frameworks through strategic action rather than waiting for legislative solutions.

Taylor Swift faces a trademark dispute over her album title "The Life of a Showgirl" with performer Maren Flagg, who holds a 12-year registration for "Confessions of a Showgirl." The case centers on reverse confusion claims and whether Swift's global fame could overwhelm Flagg's earlier trademark rights, raising questions about brand dilution and the commercial impact of similar marks in the entertainment industry.

When Taylor Swift released her album 'The Life of a Showgirl,' she faced a trademark infringement lawsuit from Maren Flagg, who claimed the title violated her registered trademark CONFESSIONS OF A SHOWGIRL. The case explores the critical boundary between artistic expression and commercial trademark use, particularly when musical artists transform album releases into merchandise-driven business ventures.

Highway Contract Route carriers and brokers operating in the USPS surface transportation network face critical legal developments in 2026, including the Supreme Court's Montgomery v. Caribe decision eliminating federal preemption for negligent-selection claims and the ongoing nuclear verdict crisis with jury awards exceeding $10 million. These developments demand heightened attention to compliance, documentation, and risk management strategies to protect against significant liability exposure in today's tru

The Department of Justice’s new National Fraud Enforcement Division (“NFED”) has told the market exactly where it intends to focus: (1) public trust and financial integrity, (2) health care, (3) internal revenue, (4) global trade and commerce, and (5) corporate misconduct. NFED plans to target these five priorities in parallel under one roof with a shared data infrastructure, compounding the risk to companies that operate at the intersection of multiple priorities and raising the stakes for any company considering a voluntary self-disclosure of potential misconduct.

When a legal research startup trained its AI on lawyer memos derived from Westlaw's editorial summaries, it sparked a landmark copyright case that exposes how artificial intelligence extracts not just content, but the accumulated judgment and authority publishers spent decades building. As Google referral traffic plummets and AI-generated content farms proliferate, the question shifts from "was a copy made?" to "was the expert ever hired?"

FEMA and the FCC will conduct a nationwide test of the Emergency Alert System on November 17, 2026, requiring participation from all radio and television stations, cable systems, and satellite services. EAS Participants must file three separate forms through the EAS Test Reporting System, with specific deadlines ranging from October 30, 2026, through January 2027. Certain translator and repeater stations are exempt from the registration and filing requirements.

As entertainment lawyers, we are often asked a deceptively simple question by creatives, producers, and studios: “Can we use this trademark in our project?”

A federal appeals court has ruled that FCC Bureau-level decisions can be judicially reviewed even without full Commission action, while simultaneously striking down guidance that would have expanded mandatory discounted advertising rates beyond candidates to include joint fundraising committees and political party coordinated expenditures. The decision challenges the FCC's increasing practice of delegating substantive policy decisions to its Bureaus while shielding those decisions from immediate judicial sc